Why olympus has fallen is unrealistic

After the characters are introduced, the inevitable siege sequence arrives. It manages to be ludicrously over-elaborate and boring all at once. So they stage an absurdly and unnecessarily complex attack designed to kill many heads of state in one go when those leaders converge on London to attend a funeral for the British prime minister. Their attack involves an implausibly large number of terrorists dressed up to look like various British security forces how, exactly, they infiltrated those security forces without anyone recognizing them is only barely explained, and the explanation is somehow less convincing than no explanation would have been and fake-looking computer-generated explosions at various notable British monuments.

After it's over, in case you didn't quite pick up on what happened, a newscaster explains that London has just suffered "an attack that has decimated most of the known landmarks in the British capital. It feels small and ordinary, not grand and cinematic. The attack, of course, leads to the film's middle section, in which the man on the inside faces off against small groups of bad guys in succession. This time, though, "the inside" is all of London itself — which turns out to be bizarrely empty.

This is one of the strangest things about the movie, and one of its biggest flaws: Unlike, say, Die Hard With a Vengeance , which played out its siege across a vibrant, crowded New York City, London Has Fallen treats London like an empty set rather than a functioning, populated metropolis.

As Banning moves through London with US President Benjamin Asher played, again, by Aaron Eckhart , the only world leader to survive the initial attack, Freeman leads a control room full of helpers back in the United States.

Problem is, they have almost nothing to do throughout the movie except stare at the scene in horror and provide a few plot details when necessary. The two men run and gun through an emptied-out London, with Asher providing helpful descriptions of their situation: "These guys are everywhere! Banning, for his part, sticks to sneering tough-guy lines: "Was that necessary? Mostly, London Has Fallen relies on gratuitous violence and sadism to break up the tedium, but even the kills get old eventually.

Sure, Olympus Has Fallen was — like so many other films — just a Die Hard copycat, but it was functional enough to work. London Has Fallen is something even lesser: a crass, second-order derivative that can't even get the basics right. It's a copy of a copy, and a crude one at that. Our mission has never been more vital than it is in this moment: to empower through understanding.

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Surely the US military would storm the White House, no matter what theory anyone had. Soon after the machine-gun-equipped garbage trucks are deployed in front of the White House, police cars arrive and come to a halt in front of a row of risen bollards blocking the street. The wide angle shot reveals, though, that there are no bollards next to the street, so the police cars could have entered the conflict zone easily after all, probably even gaining an even more advantageous position in the process.

In the hospital, a bloodied man is put in a wheelchair to be helped. His amputated left arm is obviously an old, well-healed amputation. The White House is not nearly as bright white as depicted in the movie. The White House's front lawn is much deeper than depicted.

During the fly-by attack of the C, a sniper fires a bolt-action rifle continuously without cycling the action. When the R. G is fired into the White House the three stunt men that are flung by the blast are clearly on wires. Not only do they fly through the air in a completely unnatural manner - they're quite obviously on wires - but two of the three men bounce upwards, towards the end of their fall, without ever touching the floor.

When the President's son is playing Uncharted 3: Drake's Deception on his Playstation 3, the controller is turned off. When the TV is turned off he hits the power button the light on the controller comes on and you hear the "beep" as the PS3 powers up.

At about 20 mins, as the South Korean vehicle convoy goes through the White House gate towards the portico drive, the time is hrs. During the SEAL incursion, the slide on Banning's pistol is either locked back or jammed open, meaning the pistol is empty. The olive branch and quiver of arrows are in the wrong talons of the eagle in the Presidential Seal. The olive branch is supposed to be in the eagle's right talon, while the quiver is supposed to be in the left talon, with the eagle's head facing the olive branch.

This symbolizes that America prefers peace but is always prepared for war. The goof items below may give away important plot points. When Banning discovers the President's son in the walls, the kid is hiding because he knows people are after him. Yet when the glare of a flashlight attached to a gun blinds him in the face, he jumps into that person's arms, even though he has no idea who is holding the gun.

After the Hydra is destroyed, the news feed shows no smoke. In a later scene, a great deal of smoke billows from the building.

At the beginning of the attack after the jet crashes it makes the Washington Monument crumble down to bricks.

Later on, after the White House has been taken down and we see TV teams live reporting about the attack, the Washington Monument can still be seen standing in the Background. Around 49 mins, Banning tells the secret service director that all agents have been wiped out, and there are no survivors. At that same moment, he logs in to the president's computer to delete all classified files. The background of the computer shows that there are still secret service agents online, like we were shown at around 36 mins before they all died.

A nuclear weapon's self-destruct system should deactivate the device, not detonate it. At approximately after the Washington Monument is struck by the attacking aircraft we see the monument collapsing, the scene changes to the ground where we see stones landing everywhere there are several sections of the monument that fall in full sections.

However, ICBMs and other missiles are not stored in an armed state, therefore, the missile itself would explode but not the nuclear warheads. The president orders his staff to reveal their codes to avoid them being tortured because he says he will never reveal his own code.

But why wouldn't he reveal his own code to avoid his staff being tortured again in the end? They only killed them. When talking to the president, the lead terrorist states "It takes 15 minutes for your armed forces to reach the White House, We took it down in Getting Started Contributor Zone ». Edit page. Top Gap. See more gaps ». Create a list ». On the one hand, it's just another dumb, by-the-numbers action movie.

The opening of the narrative works quickly to off a female character, knowing that there's nothing like dropping a dead woman on the screen to provide any males nearby with wounds, motivation, and depth.

In this case, though, the males so provided are two: U. Other than the tragedy that unites them and a supposedly irresistible regular guy machismo, neither of them has any particular character to speak of. Once we have established the transcendental rectitude and sympathy of the most powerful man on earth, we can get down to hating the foreigners.

Again, this is accomplished in the expected manner. Inevitably and repulsively, the film has us watch the destruction of the Washington Monument in a scene that deliberately evokes the World Trade Center collapse. More subtly, it runs the old War of the Worlds dodge, unleashing our imperial excesses upon ourselves. Long set pieces focus on airborne attackers with superior technology mowing down U.

The antagonist is North Korea, not Afghanistan, but surely the inspiration here, at least semiconsciously, is our drone-strike program. Studiously avoiding any reference to America's ongoing use of terror bombing, we imagine ourselves as victims of our own aggression, ever innocent and powerless, and ever newly justified in violence. The controlling paranoid fantasy here is, again, that North Korea is somehow our technological and military superior. In the real world, North Korea is nearly as incompetent as its leader is insane; it can barely fire a rocket, much less orchestrate a massively complicated, multi-stage, higher-than-high-tech no box cutters here split-second operation deep in the American homeland.

But whatever. The main point is to somehow—anyhow—set up that Die Hard in the White House pitch, so that we can access the vast portion of the American cowboy hindbrain that spasms when we see a lone hardass struggling against the odds. Instead, the Special Forces trained Banning is simply uber-competent because